Friday, July 22, 2016
So in my love of the 1920s and linen, I discovered that embroidered linen dresses was a really common theme in the past 100 years, not just the 1920s. However, you get into racist overtones. Whether it's the Mexican version of the embroidered dress, or the "gypsy fashion!" Romani version of the embroidered dress, you see a lot of "I'm a white tourist in your country who wants to buy your shit". And then I discovered/re-remembered that Slavic style was ALSO considered "exotic" in the 1920s. Enter the Вишиванка. (N.B. I haven't installed Cyrillic alphabet keyboard on this comp, so the rest will be Roman alphabet.) The Vyshyvanka is the traditional embroidered shirt or chemise in Ukrainian national costume. As I have Ukrainian heritage, I feel comfortable wearing a Ukrainian embroidered garment. Because I am cheap, insane, and talented, I of course want to make it. This has meant research. Research into what embroideries are common, what stitches are common (answer: it's VERY VERY regional). Research with very little information as to where my Great Grandfather came from (I got diddly on my Great Grandmother, not to mention it was her PARENTS who immigrated). I have my Great Grandfather's original name before Ellis Island. That... helps very little. Apparently his first name is a common Rusyn name (from Transcarpathian region of Ukraine, Slovakia and Romania). Apparently variation of his last name are from either Slovakia or Austria. Apparently he was BORN in Austria, but identified as Ukrainian. All of these little bits of information has meant that I will be basing my embroidery off of the Bukovyna area in Ukraine. Bukovynian Vyshyvanka look like this: The bulk of the embroidery is on the sleeves, which is in three sections. A horizontal pattern on top, a monochromatic (and usually pale) band in the middle, and diagonal or vertical stripes toward the wrist. There are vertical bands alongside the front opening and the neckline, and occasionally a band near the hem. The embroidery patterns I'm going to use are based off of these two images: However, in my practice efforts at embroidering, the middle band, which uses a stitch called morshchynka, is my least favorite embroidery stitch ever. I find it difficult to use and unwieldy. Oh well. We shall see how it goes.
Wednesday, July 13, 2016
So sewing the pleats down took more like 3 or 4 hours. Attaching the crin took more like an hour and a half. I'm halfway done with folding up the hem, but I'll also need to go back through and keep the up-fold of the hem tacked down (long story short, due to wonkiness with the hem length, it's a three step process instead of a two step process. boohoo me). I have ten hours before my client picks it up. And I am burnt out for now. I'm finding it difficult to soldier on. (And I literally could not open my eyes this morning for my intended morning sewing.) Looks like it's bed and an early morning for me. There's NOT much to do, but it just feels never ending. Blargle.
Monday, July 11, 2016
My client had final fittings today. The bad news is: it doesn't fit perfectly out of the box. The good news is: it's too BIG. Which is totes manageable. So what I have left to do before she picks the dress up on Wednesday noon: -- tack down the new pleat positions, < 1 hour -- adjust the fit at the very top, 30 mins -- attach crin to the bottom, < 1 hour -- hem, 45 mins -- attach inner facing along top, 1 1/2 hours -- attach button and buttonhole tab above zipper, 30 mins -- add additional hook on halter, 10 mins So yeah. Very do-able. Very good news. IT'S ALMOST DONE :D